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The arrangement is set up on a green painted nineteenth century bench table (the table top flips up to form a back, with the drawer shelf forming a bench when the table top is not needed). The crow stands on the bench next to a pair of ice skates on the crow's left. (I used a clear glass jar to help hold him upright). On his right is a cast-off scarf. Above the crow is a red ribbon that cascades down over the flipped table top, and there is a note tacked to the underside of the flipped top.
The note is actually a 19th century handwritten posting of bounty to be awarded for dead starlings and crows turned in to the Philadelphia authority. I found the bounty facsimile on the internet and printed it out on cream colored paper.
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The photos here show the initial underpainting, done in raw umber with highlights wiped out, on the 30" x 24" linen canvas.
Another image shows the bounty notice I printed out, and the final image shows the local color painting phase, on my easel with the studio life set up in the background.
Here are the colors I used for this first color phase:
Yellow Ochre
Burnt Umber
Burnt Sienna
Transparent Red Oxide
Alizarin Crimson
Ultramarine Blue
Viridian
I expect to have this layer dry and able to accept the next phase by this weekend... and will post my progress at that point!
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